Gone Girl

From wikipedia

I spent the second day of the year reading Gillian Flynn’s Gone Girl. Varying thoughts ran through my head, from the sweeping proclamations (I will never, ever get married) to the self-deprecating musings (no one’s going to kiss me the way Nick “tastes” Amy huhuhu).

And of course there’s the series of what-the-fucks and how-the-hells since Gone Girl is a crime thriller that, true to its genre, delivers the right amount of revelations that made me want to keep on reading.

The premise is simple: Amy Elliot Dunne goes missing on the day of her fifth wedding anniversary. An investigation unfolds and everything pins her husband Nick Dunne as the prime and only suspect.

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Sex, Drugs, and Cocoa Puffs

From wikipedia

I finished reading Chuck Klosterman’s Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto weeks (or months?) ago. It was interesting, although there were parts that I couldn’t fully appreciate because I wasn’t very familiar with the topic (e.g. MTV’s The Real World).

Sometimes when people go nostalgic about the 90s, I feel out of place for reasons like 1) I was literally a kid back then and was therefore too young to appreciate grunge, 2) I’m not from a rich family so those game consoles and polly pockets were unheard of by my purita promdi self, and 3) I wasn’t raised in the US or in Manila so I find some of these pop culture 90s trademark a tad too alienating. But I digress.

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Why Be Happy When You Could Be Normal?

From brainpickings

I read this book ‘blind.’ Aside from learning via Wikipedia that Jeanette Winterson is lesbian, I had no other knowledge about JW and her works. Consequently, I had no idea what to expect from this memoir.

Reading it, I found out that JW was adopted and had had the misfortune of having an abusive adoptive mother. This book is about her childhood for the most part — how her religious and ‘apocalyptic’ mother had shaped who she is, her sexuality, and the vantage point with which she views the world. The latter pages also explored her search for her biological mother.

And yes, the title is very intriguing. Oo nga naman.

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Pride of Baghdad

From wikipedia

Told Jay I really liked Y: The Last Man and he said, “Try Pride of Baghdad. Same writer.”

Googled Pride and was like, lions-lions? What?

But today I decided psh, why not?

Didn’t expect it to be short. Didn’t expect it to be sad either.

I almost cried. Almost.

Good read tho. Will read again.

The Fault in Our Stars

TL;DR: A little too cheesy and pretentious, but it delivers what it sets to do—you just have to remind yourself that you’re reading a young adult book.

Before you hate me for calling it “cheesy” and “pretentious,” please let me clarify.

It’s cheesy and pretentious because the main characters are teenagers who contemplate about oblivion, who considers “not” smoking a metaphor, and who talks and thinks as if everything they’re saying is meant to be for quotes.com. But I can forgive that, sure. I don’t hate the book because it’s cheesy, but I do think it’s cheesy.

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Labor Day

TL;DR At best, a story like this may deserve a spot in GMA 7’s afternoon drama block but definitely not in primetime.

Joyce Maynard’s Labor Day is narrated by Henry, a 13-year old kid who lives with his depressed mother in a semi-secluded part of an American suburb. They go to a grocery store one scorching summer day, then go back home with Frank, a recently-escaped convicted murderer.

We have to suspend our disbelief. Sure, this kid and his mom, Adele, will bring a complete stranger back to their house. Of course they won’t panic the moment Frank’s “WANTED” face appears on TV and the newspapers. Frank tells them his story: he accidentally killed his cheating wife. His baby—who apparently was not biologically his—accidentally drowned because Frank’s senile mother died while giving the poor infant a bath. Frank, therefore, is not a bad person.

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This Is How You Lose Her

TL;DR Junot Diaz writes some crazy awesome immigrant lit, although his female characters are pushed to the margins of this otherwise pleasing collection of short fiction.

I meet Yunior again.

I first encountered him in Junot Diaz’s The Brief Wondrous Life of Oscar Wao, a book I can only speak of in superlative synonyms of awesome. I’d even go ahead and say that anyone who didn’t enjoy it is either lying or being a racist (hehehe).

This time, I decided to read Diaz’s short story collection, This Is How You Lose Her. Most of the stories, except for one, is about Yunior, a Dominican Republic native who immigrated to the US as a kid. As the title suggests, the stories in this book mainly focus on capturing the experience of a relationship once it starts rolling downhill.

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